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This post is a continuation of a recent book that deals with Wayne Coyne enthusiasm for the use of "all technologies" to connect with the fans (including the use of "pirate sites" to distribute music The Flaming Lips ") and Lower Grasmeyer excellent post" Why the Internet is great for music artists and fans. "



With still being discussion soup, much is made about how bad they are now content creators. But are they? Or is it just a matter of perspective?

Chuck Klosterman in
very entertaining review of Lou Reed / Metallica new album "Lulu", made this observation:

In general, we are always supposed to applaud the collapse of the music industry. We're supposed to feel good about the democratization of music and unlimited palette on which artists can now run. However, this collapse is why there is Lulu. If living in the radio from prison in 1992, do you think Metallica goal would be to release an album that nobody wants? In any way. Cliff Burnstein of Q Prime Management to listen to different ideas, stroking his white beard, and deliver within 45 seconds of conversation. "OK, great love of these concepts in your reference to the average of Basquiat was very successful, incisive Lars .. But here is our situation. If you spend two months writing songs Super Diamond Head on the nuclear winter and the changing way we can earn $ 752 million in 18 months, and marketing. This option A. The alternative is that you can make a heavy, almost ironic art on file "in the lexicon of hate" the indignation of the Village Voice and slightly impressed Laurie Anderson. His call. "Ten minutes later, Bob Rock is parked his Lexus in the study ...

But if the ultimate goal of Metallica is good music, it seems that d trying to get rich by doing so, greatly enhanced the creative process. The limits of late capitalism is working for them, but they are very good to heavy rock power that is designed to generate income. The reason why Lulu is so terrible people that make this music clearly do not care if anyone else he enjoys. Now, again - if considered in a vacuum - the sentiment is admirable and important. But we live in a vacuum . We live on Earth. And that means we have to accept the real consequences of a culture in which recorded music and has no cash value, and one of these consequences is Lulu.





To be fair, Klosterman says that as a conclusion, rather than an indictment. There is an underlying tone of the charge, but I not think his general point of view is to condemn the attack file sharing of music, but rather to emphasize that an album like this could be done in this day and age.



In essence, this ("

the democratization of music and unlimited palette on which artists can now run

") becomes a situation where artists can be seen as half empty or half full or half. When there's nothing to gain, why bother? However, when there is nothing to lose, why not take risks? When faced with piracy, can meet the challenge and Eileen Siedler (poster girl for which the DMCA does not work), to be eternally glass half empty or you can do and what Metallica others have done and consider it as the weather ideal for experimentation. As frustrating as it is to see your efforts are distributed over the Web without their consent or control, is an exercise in futility to spend their energy trying to stifle latest flame of the offense. Would not it time and energy better spent creating and exploring options



happens everywhere. Twitter Drake gently on a leak of the album. The Flaming Lips are all recorded a song for 24 hours (and included in the skull) amounts to throwing half-formed ideas and file sharing sites. Jack White, team with the Insane Clown Posse. Chino Moreno of Deftones launch a witch house music album (which we share). Revelation of a Bjork album-as-app for the iPhone and inviting hackers to be cross-platform. Acolyte DJ Screw and forgetfulness as an artist-remix-Youtube Nattymari use as a "tag", which has about 200 videos uploaded / tracks to date. He says he pays the same amount as one tag: "Nullset." It also gives you a free platform to get their things out there that has mobilized in a high-profile NYC mixtape Kreashawn influential music / fashion blog, Mishka Bloglines. When people are relentlessly creative itchy for the release, the normal time the day and time schedules of the label will not release fast enough.
Need more examples? Check Bradford Cox. Not only is the founding member of Deerhunter, but it continues to produce quality music in the name of Atlas Sound's "production room" of the project. Cox is moving too fast for Sony, which was released accidentally Cox free music in your account at Rapidshare. Chillwave Neon Indian artist sold to equipment shortages ray laboratories to provide a deluxe edition of their latest album, included with your Peak Pass mini synth. Not only that, but takes time to make an oddly funny infomercial for the product . Other artists realize that the fans still want the physical, even if only one physical piece of music that could be bought for next to nothing (or nothing in it) elsewhere. Sales are up vinyl. Cassettes, of all things, to continue to make a comeback. All these efforts would have been unimaginable in the past when the labels of a decision about next steps and keep a constant eye on the bottom line. " / Aa>

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