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radical overhaul of Joss Whedon

Bardo and Steve Coogan in What Maisie Knew are among the highlights of the 37th Toronto International Film Festival

Toronto sometimes think it is still a work in progress. Each block with tremors drilling center, all the skyscrapers in four sports anorak canvas. Residents moving into apartments on the 10th floor when the 12 is still under construction. If there is a new hotel in the city - and there it is: Trump, all bathrooms and walls black diamond - as is the case with people's heads. There, or a branch of Soho House cooler, unwrapped especially for the festival. Toronto is not a people possessed in the past. its film festival, too, is a young parent (his 37th year), in respect of his elders always eager to move on. As artistic director, Ambassador Extraordinary Cameron Bailey, the sharp suit and tweet 6 hours, is a festival that prides itself on the button.

And unlike their counterparts in the ancient world - Cannes, Venice, Berlin - the program does not run through retrospectives. When they do discover a golden oldie, is to give him a makeover. The opening night of this year's festival not only offers Rian Johnson futuristic science fiction Looper , but also a lively read the label American Beauty

script, supervised by director Jason Reitman, with Breaking Bad the Bryan Cranston in the role of Kevin Spacey and

Mad Men the Christina Hendricks as his wife. This sensitivity - read and write but irreverent, playing with the past rather than following hard - threaded through the 10-day festival. Some of the best films received texts were set to generate renewed HBO Joss Whedon smartphone smart Much Ado About Nothing , filmed in his hotel in Los Angeles with the distribution of

Firefly and a fleet of limousines beat Hybrid heroes return to the city. What Maisie Knew was transplanted to New York, with Steve Coogan as the father and mother Julianne Moore (now a rock star) and her new lover Alexander Skarsgård. Such an uprooting deadhead two works, leaving bloom again. consecutive adaptations, meanwhile, sank with courtesy, without a dip. Mike Newell

Great Expectations

version is unnecessary popping soap bubbles best of Dickens and flattened all Cliffhangers diligently. Midnight's Children for Children adds nothing new to most is another novel by Rushdie Salman Rushdie (and adaptation of products and Executive offering extensive voiceover).

Hearings here - and this is the festival that really matters for the award of the people's choice is unique - instead gone mad, one way or another, by Wachowski brothers time travel Cloud Atlas and

Seven Psychopaths
Derek and Ryan Gosling contacted Cinefrance Blue Valentine

, concerned about the inheritance unless radically changed their behavior.

Toronto itself is so concerned about reinventing the films it screens. There is a tangible feeling of the need to shed their skin fit better to the new climate, a family emergency European festivals. This year, Bailey hosted a summit to explore the new wave of productions between the United States and Asia -. The main concern for the movies today, he thinks, because it is in China and Korea theaters multiply and accumulate finance

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